Key words: Henryk Szaro, A Strong Man, pre-war Polish cinema, Stanisław Przybyszewski, adaptation Summary: This paper analyses the phenomenon of Henryk Szaro’s film A Strong Man. The author focuses on the features of the work which contributed to its critical success when it was made and are regarded as attractive by present-day spectators. The general assumption of the text … Czytaj dalej Artur Piskorz, „A Woolgatherer” – Henryk Szaro and A Strong Man