Key words: Sátántangó , Béla Tarr, restlessness, image, time, Gilles Deleuze Summary: The thesis of this article is an ascertainment that the experience of restlessness is the foundation of the universe in Béla Tarr’s film Sátántangó (1994). This mental state is also a mode of being the motion image which was called by Gilles Deleuze “the time … Czytaj dalej Sebastian Brejnak, Sátántangó by Béla Tarr: Image – Time – Restlessness