The figure of Teodor Bok, a visual artist and sculptor, who had to leave the country as a result of the anti-Semitic policy adopted by the communist authorities in 1968, demands attention and in-depth studies. After leaving the People’s Republic of Poland, he moved to Copenhagen, where he founded a studio where he continued his artistic activity. The artist's studio became the focal point of his aesthetic experience, as well as a space for meetings with the artist’s extraordinary personality. The article is a proposal to look at the figure of Teodor Bok from the point of view of the author's personal experience.